Perigee

BOOK REVIEW: That Thing You Do With Your Mouth, by Elisabeth Sherman

  That Thing You Do With Your Mouth, by David Shields and Samantha Matthews Reviewed by Elisabeth Sherman   As a young child, actress Samantha Matthews was the victim of sexual abuse. Her story is a familiar one. Abuse and assault are common themes in the lives of too many women—according to a National Intimate Partner and Sexual Violence Survey, 1.9 million were raped in 2011. But how many are given the opportunity to publicly reshape that traumatizing narrative on their own terms, in their words? As an adult, Matthews dubbed Italian porn films into English. Her cousin, the author David Shields, thought her work was ripe for a documentary. Though Matthews gathered footage, the film never came together, so Shields suggested they work on building a written narrative. Over many months of emails, Skype sessions, and texting, Shields compiled enough material for That Thing You Do With Your Mouth, the story of Matthews’s sexual history in her own words and voice, edited by her cousin. Taking the form of an extended monologue, That Thing You Do With Your Mouth is a path toward healing: “Having the stories and the self-analysis on the page rather than just having it swirling around...
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NONFICTION: You Write What You Read by Victoria Cho

Apogee Fiction Reader Victoria Cho has written a stunning piece, published this week on Luna Luna. Read an excerpt below. You can find the whole essay here. I didn’t consciously make my protagonists white when I began to write fiction. There were times I swore I didn’t think about my characters’ races. But really, they were white. Even when I claimed they were utter inventions of my imagination, removed from a context of race, I re-read my stories now and see how they really weren’t anything else. They were all cut from the same cloth. I wrote about a white man losing his daughter and a white boy wanting to be a cowboy. I had a white man tell his sister he was joining the army, a white man walk over the Brooklyn Bridge, and a white man recover from a nervous breakdown in an insane asylum. And then, I wrote white women. A white teen fought with her best friend, and a white woman ran away from home. A white girl befriended a white homeless woman. I am female and Asian-American. My parents emigrated from Korea in the Seventies. (I don’t ask them for the exact year because I...
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APOGEE ISSUE 06

Fiction a wig by Kiik Araki Kawaguchi Rebuke the Wind by Rowan Hisayo Buchanan Tommy on the Bus by Norman Antonio Zelaya First Snow by Gemini Wahhaj Poetry Argumentum ad infinitem by Chase Berggrun Fermented Fruit Poem by Walter Ancarrow Soon Mus Come by Soyini Ayanna Forde Portrait of my Mother as Mystique from X-Men by Michelle Lin Two poems by Nina Puro Guatavita, La Dorada by Jennifer Tamayo I still cannot dress attractively without feeling that I am endangering myself by Cathy Linh Che North by the Taiwan Strait: One Nation, Two Systems by Karen An-Hwei Lee River by Leila Ortiz Torch Song by Derrick Austin Wallpapers or Every Time I Touch My Phone by Tyler Kline Nonfiction Nice Girl and Small Man by Victoria Brown The Rotting of the Sun by Chido Muchemwa The Heritage Room by Jerald Walker Things My Grandmother will Never Say by Tinghui Zhang Visual Artists Xaviera Simmons (Cover Art) Kaitlin Pomerantz Clemence Vazard Christian Newby Imran Perretta Kapwani Kiwanga Lizzie Gill Stacey Tyrell Stina Puotinen  

Apogee is Hiring

Want to join a team of socially engaged, highly motivated artists and writers?  We are looking to fill two very important roles, Events Programmer and Promotions Manager. Please read the role descriptions (posted below) and if this sounds like something you’d love to do, send us your resume! EVENTS PROGRAMMER The role of the Events Coordinator is to maintain quarterly calendar of and oversee all Apogee events, including open mics, featured readings, staff readings, launch parties, and annual benefit. Draft event night-of timeline, secure (or helps to secure) venue, stay in contact with venue and readers, staff events, assure A/V setup and refreshments (if applicable). Run or delegate running of events. Collaborate with Executive Editor on budgets for events. Collaborate with Promotions Manager for publicizing events. If you are interested in being considered for the position, please email editors@apogeejournal.org by January 7th, 2016 with the following items: *A Resume or CV * A cover letter that answers the following questions:     *What do you believe makes a literary event successful?     * What previous experience can you bring to this position?     *Are you familiar with the mission of Apogee Journal? Why are you interested in working with us? PROMOTIONS...
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The Hard Truth: An Interview with Jerald Walker

  Apogee Journal Issue 06 features writing by renowned author, Jerald Walker.  In the following interview, Walker shares some thoughts on writing, teaching, and the hard truth about honesty. Cecca Ochoa: Your essay “The Heritage Room” discusses your experience with a white colleague’s accusation that you showed anger, threatening anger, and leveraged her claim to ban you from your committee. What this essay does so well is examine the perceived difference between “black anger” and “white anger” in a predominantly white institution. Black anger is “irrational and scary” while white anger is… rational? (According to the institution). How would you describe white anger? Jerald Walker: Yes, generally white anger is seen as a form of integrity, an emotional reaction rooted in principle and morality. It is also a thing wholly controllable, like a rifle in the hands of a marksman, whereas black anger is the grenade handled by a fool. CO: I have to ask, what is the price of honesty for a nonfiction writer? You’ve written about how your family has reacted to finding out about your adolescence. I’m sure that your colleagues whom you have written about must also have reactions. How do you deal with fear of...
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Apogee Issue 06 Preview: Christian Newby

Christian Newby was born in 1979 in Virginia Beach, Virginia and currently works and lives in London and Madrid. He received his B.A. in Sculpture and Extended Media at Virginia Commonwealth University in 2002 and then an M.F.A. at the Glasgow School of Art in 2009. His work has been exhibited internationally, with inclusions in group shows at Pi Artworks, London, the Palais de Tokyo, Paris, Galerie Alain Gutharc, Paris, and MOT International Project Space in London. Newby has recently held solo exhibitions in London at both Space In Between and Vitrine Gallery, and in Glasgow at Transmission Gallery. Awarded the Converse/Dazed & Confused Emerging Artist Award shortlist in association with Whitechapel Gallery in 2013, Newby also participated in the New Work Scotland Programme with Amelia Bywater at Collective Gallery in 2012 and was an Edinburgh Artist-in-Residence at Triangle Arts Trust’s Triangle France Artist in Residence Programme in 2011. Upcoming exhibitions/projects include a commission from Studio Leigh in London and release of Attempt Magazine Issue 1, as Art Director.    Orangina Clock Screenprint, acrylic and dye on fabric, 172×140 centimeters, 2013

APOGEE ISSUE 06 PREVIEW: Stacey Tyrell

    We launch Apogee Issue 06 tonight! Join us in celebrating our latest issue at the Bureau of General Services-Queer Division (208 W 13th St, Rm 210) @ 7Pm. And for our final visual art preview, we are thrilled to share artist Stacey Tyrell’s “Rhona, 28yrs.” See you tonight. xoxo Apogee         Rhona, 28yrs., from “Backra Bluid” series, 2012, Archival Epson Print, 40×30 inches   STACEY TYRELL is a New York based photo-conceptual artist.  She was born in 1978 and raised in Toronto, Canada to parents of Nevisian heritage.  She attended OCAD University where she majored in Photography.  Her work explores the interplay of race, heritage and identity as it relates to preconceived notions of Euro-centric beauty and heritage within post-colonial societies and the Caribbean Diaspora. Tyrell’s work has been a part of exhibitions at the Royal Ontario Museum, the Canadian Museum of Immigration, the Places des Arts Montreal, the Power Plant Contemporary Art Gallery, the Houston Museum of African American Culture and the Center for Photography at Woodstock, NY.  She has had her images appear in such publications and websites as Marie Claire South Africa, Canadian Art, Huffington Post, Refinery 29, ARC Magazine and Feature Shoot.  Most recently her...
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APOGEE ISSUE 06 PREVIEW: Clemence Vazard

    Today we are honored to feature artist Clemence Vazard’s “Escotade.”       Escotade Collage manuel sur documents originaux (Translation: Handmade collage on original paper) 21×30 centimeters, 2014   Since her adolescence, Clémence Vazard has been fascinated by paper. From the age of 12, she has been using walls, doors, and wallpaper as foundations for accumulated images as found in mainstream magazines, posters, stickers, and cards. Vazard received an M.A. in Arts and Culture Studies at the Sorbonne in Paris in 2009; thereafter she began working in various venues ranging from art galleries, to concert venues, to artist residencies and festivals, and beyond. These experiences have helped Vazard develop her creative practice and refine her artistic aesthetic. Amongst the many interrogations that Vazard nourishes, the most recurring and sensitive one is an exploration into the role of women in contemporary society, as depicted in pop culture and media.