Executive Editor
Alexandra Watson

Managing Editor
Mina Seçkin

Poetry Co-Editors
Joey De JesusMuriel Leung, Zef Lisowski, Crystal Yeung, Joselia Rebekah Hughes

Fiction Editor
Miriam Kumaradoss

Nonfiction Editor
Anya Lewis-Meeks

Visual Arts Editor
Legacy Russell

Chelsea Tokuno-Lynk, Sasha Bonét, Adrianne Bonilla

Assistant Editors
Minahil Akbar Khan, Zavi Kang Engles

Contributing Editors
Crystal Hana Kim, Brian Lin, Alejandro Varela, Victoria Cho

Charlotte Atkins, Lia Seo-Youn Jung, Isabella Pechaty, Lakshmi Sunder

Digital Director
Ingrid Pangandoyon

Zinzi Clemmons, Melody Nixon, Jennifer Ohrstrom, Chris Prioleau, Aaron Shin

Advisory Board

Cathy Park Hong
Margo Jefferson
Marie Myung-Ok Lee
Victor LaValle
Roger Reeves
Keith Solomon
David Mura
Paul Beatty
Gary Shteyngart
Rachel Eliza Griffiths
Zinzi Clemmons

Alexandra Watson is a founding editor of Apogee Journal, where she has helped secure grant funding for community arts projects from the New York State Council on the Arts, Lower Manhattan Cultural Council, and Brooklyn Arts Council. She is a full-time Lecturer in the First-Year Writing program at Barnard College. Her fiction, poetry, and interviews have appeared in Yes, Poetry, Nat. Brut., Breadcrumbs, Redivider, PANK, Lit Hub, and Apogee. She’s the recipient of the PEN/Nora Magid Prize for Literary Magazine editing. Find her work at

Mina Seçkin is a writer from New York City. Her debut novel, The Four Humors, is forthcoming from Catapult. Her work has been published in McSweeney’s Quarterly Concern, the Rumpus, the Adroit Journal, and elsewhere.

Joey De Jesus is a recipient of the 2017 NYFA/NYSCA Fellowship in Poetry and lives in Queens. Poems have appeared recently in The Literary ReviewBrooklyn Magazine, The Brooklyn Rail, Beloit Poetry Journal, Guernica, and have been installed in The New Museum and Artists Space. Links to their work are available here.

Muriel Leung is the author of two poetry collections, Imagine Us, the Swarm (Nightboat Books) and Bone Confetti (Noemi Press). A Pushcart Prize nominated writer, her writing can be found or is forthcoming in Gulf Coast, Drunken Boat, The Collagist, Fairy Tale Review, and others. She is the co-host of The Blood-Jet Writing Hour podcast with Rachelle Cruz and MT Vallarta. Currently, she is a Dornsife Fellow in Creative Writing and Literature at University of Southern California. She is from Queens, NY.

Zefyr Lisowski is a Southern trans poet and the author of the short poetry collection Blood Box (Black Lawrence Press, 2019). She’s received support from Tin House Summer Writers Workshop, Sundress Academy for the Arts, Blue Mountain Center and elsewhere; her work has appeared in Muzzle, DIAGRAM, Literary Hub, Nat. Brut., and more, and she’s a three-time Pushcart Prize nominee. Zef’s the recipient of a 2020 Center for the Humanities Incubator Grant for Wolf Inventory, a collaborative film about ghost stories and sexual violence, and lives in Brooklyn.

Crystal Yeung is a queer femme Asian American poet with an MFA in Poetry from the College of New Rochelle. She holds a BA in English literature and was a part of the CCNY Language & Literacy MA program. Her writing can be found in Rabbit Catastrophe Review, Poets & Writers, Perigee, TAYO, and descant. She is recipient of Poets & Writers Amy Award and descant Betsy Colquitt Poetry Award, serves as chairwoman for the PEN Prison Writing Program, and Poetry and Reviews Co-Editor at Apogee Journal. She is currently serving her AmeriCorps year at Asian Americans for Equality. 

Joselia Rebekah Hughes is a writer, artist, and Caribbean-American living in the Bronx. She is a 2021 Art Matters Artist2Artist Fellow. Joselia’s work can be spotted in Apogee, Blackflash Magazine, Ocean State Review, The Poetry Project: Poems and Texts, ICA at VCU, MoMA, and elsewhere. Her book, Blackable: A Nopem, is forthcoming on Inpatient Press.

Miriam Kumaradoss‘s writing has been published in Apogee, Cosmonauts Avenue, and Literary Hub, among others, and has been nominated for a Pushcart Prize. They currently live with their family and several frogs and geckos in Tamil Nadu, India, where they are at work on their first novel.

Anya Lewis-Meeks is a writer from Kingston, Jamaica. She completed her MFA in Fiction at Columbia University in 2019. Currently, she is a PhD student in English at Duke University, where she balances her critical interests in Caribbean Folklore and speculative fiction with her creative projects. She is working on a novel called Sisterhood.

Legacy Russell is a writer and curator. Born and raised in New York City, she is the Associate Curator of Exhibitions at The Studio Museum in Harlem. Recent exhibitions include Projects 110 : Michael Armitage, organized with Thelma Golden and The Studio Museum in Harlem at MoMA (2019); Dozie Kanu : Function (2019), Chloë Bass : Wayfinding (2019), Radical Reading Room (2019) at The Studio Museum in Harlem; and MOOD : Studio Museum Artists in Residence 2018-19 (2019) at MoMA PS1. Russell’s ongoing academic work and research focuses on gender, performance, digital selfdom, internet idolatry, and new media ritual. She is the recipient of the Thoma Foundation 2019 Arts Writing Award in Digital Art and a 2020 Rauschenberg Residency Fellow. Her first book, Glitch Feminism, is forthcoming from Verso Books in Fall 2020.

Chelsea Tokuno-Lynk is a fourth-generation Japanese American who grew up in Kane’ohe, Hawai’i. She graduated with degrees in Japanese and English from the University of Hawaiʻi. A 2015 and 2018 VONA/Voices Fellow, Chelsea is a short story writer with a passion for centering and elevating the stories of communities of color.

Sasha Bonét is a writer, critic, curator educator living in New York City. Her work in storytelling explores the ways in which race, gender, and social norms influence art and the ways that we communicate our experiences. She is most interested in the contradictions of being. Bonét studied at Columbia University’s creative writing MFA program and currently teaches at The New School as part-time faculty in Parsons School of Design photography BFA department. She is at work on a collection of narrative essays on Memory + Motherhood in America.

Adrianne Bonilla is a graduate of Columbia’s School of the Arts. In her second year, she received the Henfield Prize in Fiction for the opening pages of her novella, Astral Cemetery. An excerpt is available on Tin House Online. You can find more of her work on Apogee and The Acentos Review. She is originally from Queens, New York and lives in Buenos Aires, where she is working on a novel.

Minahil Akbar Khan is an editor and organizer living in Brooklyn on occupied Lenape land. Raised in NYC, they have roots in Pakistan-occupied Kashmir, Iran, Afghanistan, and India/Pakistan, where she was born. Outside of their work as an Assistant Editor with Apogee, Minahil is the Operations Manager at the Parole Preparation Project. They currently organize with the mutual aid booksharing collective Library of Study and PIC abolitionists Black & Pink NYC. Minahil has previously worked with Wendy’s Subway, The Yale Review, and n+1.

Zavi Kang Engles is a writer with degrees in English and Environmental History from Pitzer College and the University of Chicago. Her writing has been published in Salon, The Rumpus, aaduna, and elsewhere. She also runs a blog about anti-capitalist healing called sensiworld.

Crystal Hana Kim’s debut novel If You Leave Me was named a best book of 2018 by multiple outlets, including The Washington Post, Booklist, Literary Hub, and Nylon. It was also longlisted for the Center for Fiction Novel Prize. Kim was a 2017 PEN America Dau Short Story Prize winner and has received scholarships from the Bread Loaf Writers’ Conference, Sewanee Writers’ Conference, Hedgebrook, and Jentel, among others. Her work has been published in Elle Magazine, The Paris Review, Guernica, and elsewhere. She teaches at Columbia University.

Brian Lin is a Ph.D. student in the creative writing and literature program at USC. He has participated in the Tin House Summer Workshop and the Napa Valley Writers’ Conference. He is a 2020 Ragdale resident and a Desert Nights, Rising Stars fellow. Fiction editor for Apogee Journal and community outreach coordinator for The Offing, Brian is also working on his first books of prose.

Alejandro Varela (he/him) is a New Yorker. His graduate studies were in public health, where he learned that hierarchies lead to poor health outcomes. He is the author of two books, The Town of Babylon (Astra House, 2022) and The People Who Report More Stress (Astra House, 2023). His writing has appeared in several places, including Harper’s, Boston Review, and The Point. Links to his published work can be found at