Perigee

Faith at the Border: Resident Alien, Kazim Ali

  I had a question. While reading through and compiling the poetry for issue five, this same question kept harassing my core. In issue five, we catch many speakers in the midst of border crossing. LiraeL O and Charif Shanahan ruminate on borders of identity. In Zubair Ahmed’s “Blueprint,” a speaker in search of origin says, “I ask God for my blueprints. / He hands me a thing rectangular box / As lightweight as an insect.” In “New Map,” we catch Marisa Beltramini’s speaker feeling small as the image of boiling water crosses her from a profane space into a religious one. She writes, “I am small / as an iridescent beetle, / my back an arched and ready mask / of orange and black.” What originates this feeling of smallness? Of lightness? Borderlines can be represented by events or physical objects–state lines, text or bodies (their ability, their change)–or represented by the intangible, such as language, words, identity, and hybridity. The other side cannot be known until it is experienced and is, perhaps, unknowable even then. We asked our writers: in what do you place your faith during the act of crossing between places, nations, people, bodies, things, and feelings?...
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Contributors: Issue 5

Letter from the Guest Editor: “About the Psyche” by Morgan Parker Fiction Experiential Studies by Tiphanie Yanique The Night Suzy Link Goes Missing by Lisa Ko The Mystery of the Best Friend by Lydia Conklin Poetry Folie a Deux by t’ai freedom ford Donor List: Kidney by Brionne Janae Date Night with Abdelhalim Hafez by Safia Elhillo Phone Call with Abdelhalim Hafez by Safia Elhillo Beer Pong by Camonghne Felix No Shade, Though by Camonghne Felix Erasures by Caitlin Blanchfield From “Nature Poem” by Tommy Pico A Case for the Control of Guns in the Hands of Men by Emily Brandt Rumination on She by Lirael O Clean Slate by Charif Shanahan Risk by Sam Sax The Italian Root of Quarantine Is by Sam Sax Surrender by Danez Smith Private Manning by Kazim Ali O’ to be Young Black & Gifted by Mike Crossley Apologia by Jocelyn Sears Last Night by John Lee Clark Edges of Insomnia by Zubair Ahmed Blueprint by Zubair Ahmed New Map by Marisa Beltramini The Sun of Knowledge by Nadia Anjuman Insane Heart by Nadia Anjuman Nonfiction To Be Young Gifted and Black: A Travelogue of Black Women Artists in France and America by Naomi...
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Mina Zohal, Baaraan-e Digar

We are deeply sorry for an error in the printing of Mina Zohal’s essay, “Baaraan-e Digar” in Apogee Issue 05. A paragraph of text was mistakenly added to her piece during production of the issue, which significantly affected the content. For this reason, and with our sincerest apologies, we are reprinting “Baaraan-e Digar” here in its entirety, with the author’s permission.   1 Every time you go home, we get hectic. We go to Walmart, Target, Big Lots, the dollar store, the coat factory, the thrift store, and Ross. We shop for eye drops for Amma jan; ties and socks for your brother, nephews, and cousins; perfumes for their daughters and wives; aspirin; a stuffed animal for Zargoona jan; and a cane for your Sufi kaka. We go over the power of attorney, the bills, the will, the plants, the mail, the keys, the yard, the car. I’m so worried about you. We pack and repack and pack and pack again. I sit on your suitcase and kiss your hands. I don’t tell you this, because I’m sick of those Wahabi pamphlets, but deep down, I still feel like a Muslim. You’re so stressed out at the check-in. In all...
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FICTION: There Are No Free Lunches, by Kavita Das

  There Are No Free Lunches Kavita Das   On Monday mornings, the final beep would sound over the school intercom at 8:30, signaling that all P.S. 203 students should report to their classrooms. I was in fourth grade with Mrs. Pacman and a video game of the same name was all the rage. Following the final beep, our class, a sea of white, black, brown, and yellow, would stand at our desks and recite the Pledge of Allegiance. We were led by a pledge-leader and a flag bearer, positions that rotated daily. Afterwards commenced the quiet period. We read to ourselves in our seats and Mrs. Pacman took on the weekly task of sorting out lunch and milk money. This involved a roll call. She called out “Regular Lunch” and all the kids who paid the regular price for lunch formed an L-shaped single line that ran along one side of the classroom and continued along the blackboard leading up to her desk. We clutched envelopes with $2.50 in lunch money in front of us, trying to make sure none of the coins slipped out. Sometimes I didn’t have my lunch money in an envelope because my parents would...
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Buy Apogee Issue 05 Now!

Issue 05 of Apogee Journal is officially here, and boy is it beautiful! In case you missed it, Issue 05 features writing by Danez Smith * Kate Zambreno * Tiphanie Yanique * Tommy Pico * t’ai freedom ford * Camonghne Felix * Lisa Ko * Emily Brandt * A. Naomi Jackson * Kazim Ali * Sam Sax * Brionne Janae * Caitlin Blanchfield * Charif Shanahan * Jocelyn Sears * John Lee Clark * LiraeL O * Marisa Beltramini * Mike Crossley * Diana Arterian * Safia Elhillo * Zubair Ahmed * Lydia Conklin * Mina Zohal An interview with Paul Beatty, the author of THE SELLOUT And visual art from Richard Hart (cover artist) * Sara Cwynar * Anastasiya Lazurenko * Simone Leigh * Derrick Adams * Mickalene Thomas * The Bruce High Quality Foundation * Jason Lazarus * Jason Larkin * Nica Ross Click below to order a copy delivered to your doorstep:   Or, check the following bookstores soon to pick up a copy: New York City: McNally Jackson Greenlight Bookstore Book Culture Housing Works Bookstore Cafe The Center For Fiction Molasses Books Community Bookstore Mellow Pages Library San Francisco: Pegasus Books Revolution Books

FICTION: Paradox, by Cole Lavalais

  Paradox Cole Lavalais   Lana closed the bedroom door firmly behind her, but it didn’t block out their noise. Even in the elusive moments when screams and screeches and sobbing stopped bouncing off of every solid surface, the reverberation remained. No stranger to self-sacrifice, Lana had done what she was expected to do, until, of course, she discovered the Bruja. Then she did what she was instructed to do. Waiting twenty-three days for the arrival of the quarter moon, then watering the tree with the fruit of forty-two days of her labor—tears, blood, sweat, urine, saliva, all collected from each of them. And for the last eight and a half days, she sat and waited, staring out of her second floor window, watching for something to blossom from the roots of the tree in the front yard. Waiting for the reprieve promised by the Bruja. Two squabbling gray squirrels rolling around the base of the oak tree reminded her of the two squabbling creatures outside of her bedroom door, so she concentrated further up the oak’s trunk. She was forced to look through a translucent version of her own somber face. It was fall, and the leaves were in...
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We're Hiring! A Call for Readers

  Apogee Journal is currently looking for highly motivated and critically minded readers to review submissions in collaboration with our Poetry, Fiction, and Nonfiction editors. Our submissions are open 4 months out of the year, and last issue we received nearly a thousand submissions. As we continue to grow, we expect to receive even more!   If you are interested in being considered for the position, please email editors@apogeejournal.org by July 1st with the following items: *A Resume or CV * A cover letter that answers the following questions:         1. What genre(s) are you interested in reading for?         2. What do you believe makes a successful piece of writing in chosen genre?         3. Which contemporary writers work are you most interested in, and why?         4. Are you familiar with the mission of Apogee Journal? Why are you interested in working with us? Apogee Journal focuses on publishing art and literature that engage with issues of identity politics: race, gender, sexuality, class, and hyphenated identities. Our goal is to publish exciting work that interrogates the status quo, providing a platform for unheard voices, including emerging...
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APOGEE ISSUE 05 PREVIEW: Richard Hart

  Apogee Issue 05 launches TOMORROW, May 28th. Here is our 6th exclusive preview, from the brilliant Richard Hart.     Craving Miracles, 2012 Oil on panel 22.5 x 37 inches   RICHARD HART began exhibiting as a visual artist in 2009 after working for many years as a graphic designer and illustrator. Although his practice encompasses a diverse array of disciplines Hart thinks of painting as being at the core of his activities. His work is rooted in the experience of an outsider who has lived his life in Africa, and concerns itself with the spiritual landscape of Africa. It takes its cues from ritual, witchcraft and muti, as well as religious movements such as Shembe and the Zionist movement, weaving together factual and fictive narratives to speculate on an Africa that might be. Hart’s work has been exhibited in New York, London, Berlin, Stockholm, Cape Town and Durban.

APOGEE ISSUE 05 PREVIEW: Mickalene Thomas

  Apogee Issue 05 launches in 3 days! Here is our 5th exclusive preview: ‘A Little Taste Outside of Love’ by the talented Mickalene Thomas.     A Little Taste Outside of Love, 2007 Rhinestones, acrylic, and enamel on wood panel 108 x 144 inches 274.3 x 365.8 cm   MICKALENE THOMAS is a distinguished, multidisciplinary visual artist who earned her BFA in painting at Pratt Institute, and MFA at Yale University School of Art. She has exhibited extensively both nationally and internationally since 2003. Her fist solo museum exhibition was in 2012 at Brooklyn Museum and Santa Monica Museum. Recent solo exhibitions include George Eastman House, New York; L’Ecole des Beaux Art, Monaco; First International Contemporary Art Biennial, Columbia; as well as group exhibitions at the Corcoran Gallery of Art, Washington, D.C.; Hara Museum, Tokyo, Japan; National Portrait Gallery, Washington, D.C.; University Museum of Contemporary Art, UMass, Amherst; and La Conservera Contemporary Art Centre, Ceutí, Spain. Thomas’s work is in the permanent collections of Museum of Modern Art, Brooklyn Museum of Art, Solomon R. Guggenheim Museum, and Whitney Museum of American Art, as well as the Seattle Art Museum, and the Smithsonian American Art Museum in Washington, D.C., among...
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