Perigee

FICTION: There Are No Free Lunches, by Kavita Das

  There Are No Free Lunches Kavita Das   On Monday mornings, the final beep would sound over the school intercom at 8:30, signaling that all P.S. 203 students should report to their classrooms. I was in fourth grade with Mrs. Pacman and a video game of the same name was all the rage. Following the final beep, our class, a sea of white, black, brown, and yellow, would stand at our desks and recite the Pledge of Allegiance. We were led by a pledge-leader and a flag bearer, positions that rotated daily. Afterwards commenced the quiet period. We read to ourselves in our seats and Mrs. Pacman took on the weekly task of sorting out lunch and milk money. This involved a roll call. She called out “Regular Lunch” and all the kids who paid the regular price for lunch formed an L-shaped single line that ran along one side of the classroom and continued along the blackboard leading up to her desk. We clutched envelopes with $2.50 in lunch money in front of us, trying to make sure none of the coins slipped out. Sometimes I didn’t have my lunch money in an envelope because my parents would...
Read More

Buy Apogee Issue 05 Now!

Issue 05 of Apogee Journal is officially here, and boy is it beautiful! In case you missed it, Issue 05 features writing by Danez Smith * Kate Zambreno * Tiphanie Yanique * Tommy Pico * t’ai freedom ford * Camonghne Felix * Lisa Ko * Emily Brandt * A. Naomi Jackson * Kazim Ali * Sam Sax * Brionne Janae * Caitlin Blanchfield * Charif Shanahan * Jocelyn Sears * John Lee Clark * LiraeL O * Marisa Beltramini * Mike Crossley * Diana Arterian * Safia Elhillo * Zubair Ahmed * Lydia Conklin * Mina Zohal An interview with Paul Beatty, the author of THE SELLOUT And visual art from Richard Hart (cover artist) * Sara Cwynar * Anastasiya Lazurenko * Simone Leigh * Derrick Adams * Mickalene Thomas * The Bruce High Quality Foundation * Jason Lazarus * Jason Larkin * Nica Ross Click below to order a copy delivered to your doorstep:   Or, check the following bookstores soon to pick up a copy: New York City: McNally Jackson Greenlight Bookstore Book Culture Housing Works Bookstore Cafe The Center For Fiction Molasses Books Community Bookstore Mellow Pages Library San Francisco: Pegasus Books Revolution Books

FICTION: Paradox, by Cole Lavalais

  Paradox Cole Lavalais   Lana closed the bedroom door firmly behind her, but it didn’t block out their noise. Even in the elusive moments when screams and screeches and sobbing stopped bouncing off of every solid surface, the reverberation remained. No stranger to self-sacrifice, Lana had done what she was expected to do, until, of course, she discovered the Bruja. Then she did what she was instructed to do. Waiting twenty-three days for the arrival of the quarter moon, then watering the tree with the fruit of forty-two days of her labor—tears, blood, sweat, urine, saliva, all collected from each of them. And for the last eight and a half days, she sat and waited, staring out of her second floor window, watching for something to blossom from the roots of the tree in the front yard. Waiting for the reprieve promised by the Bruja. Two squabbling gray squirrels rolling around the base of the oak tree reminded her of the two squabbling creatures outside of her bedroom door, so she concentrated further up the oak’s trunk. She was forced to look through a translucent version of her own somber face. It was fall, and the leaves were in...
Read More

We're Hiring! A Call for Readers

  Apogee Journal is currently looking for highly motivated and critically minded readers to review submissions in collaboration with our Poetry, Fiction, and Nonfiction editors. Our submissions are open 4 months out of the year, and last issue we received nearly a thousand submissions. As we continue to grow, we expect to receive even more!   If you are interested in being considered for the position, please email editors@apogeejournal.org by July 1st with the following items: *A Resume or CV * A cover letter that answers the following questions:         1. What genre(s) are you interested in reading for?         2. What do you believe makes a successful piece of writing in chosen genre?         3. Which contemporary writers work are you most interested in, and why?         4. Are you familiar with the mission of Apogee Journal? Why are you interested in working with us? Apogee Journal focuses on publishing art and literature that engage with issues of identity politics: race, gender, sexuality, class, and hyphenated identities. Our goal is to publish exciting work that interrogates the status quo, providing a platform for unheard voices, including emerging...
Read More

APOGEE ISSUE 05 PREVIEW: Richard Hart

  Apogee Issue 05 launches TOMORROW, May 28th. Here is our 6th exclusive preview, from the brilliant Richard Hart.     Craving Miracles, 2012 Oil on panel 22.5 x 37 inches   RICHARD HART began exhibiting as a visual artist in 2009 after working for many years as a graphic designer and illustrator. Although his practice encompasses a diverse array of disciplines Hart thinks of painting as being at the core of his activities. His work is rooted in the experience of an outsider who has lived his life in Africa, and concerns itself with the spiritual landscape of Africa. It takes its cues from ritual, witchcraft and muti, as well as religious movements such as Shembe and the Zionist movement, weaving together factual and fictive narratives to speculate on an Africa that might be. Hart’s work has been exhibited in New York, London, Berlin, Stockholm, Cape Town and Durban.

APOGEE ISSUE 05 PREVIEW: Mickalene Thomas

  Apogee Issue 05 launches in 3 days! Here is our 5th exclusive preview: ‘A Little Taste Outside of Love’ by the talented Mickalene Thomas.     A Little Taste Outside of Love, 2007 Rhinestones, acrylic, and enamel on wood panel 108 x 144 inches 274.3 x 365.8 cm   MICKALENE THOMAS is a distinguished, multidisciplinary visual artist who earned her BFA in painting at Pratt Institute, and MFA at Yale University School of Art. She has exhibited extensively both nationally and internationally since 2003. Her fist solo museum exhibition was in 2012 at Brooklyn Museum and Santa Monica Museum. Recent solo exhibitions include George Eastman House, New York; L’Ecole des Beaux Art, Monaco; First International Contemporary Art Biennial, Columbia; as well as group exhibitions at the Corcoran Gallery of Art, Washington, D.C.; Hara Museum, Tokyo, Japan; National Portrait Gallery, Washington, D.C.; University Museum of Contemporary Art, UMass, Amherst; and La Conservera Contemporary Art Centre, Ceutí, Spain. Thomas’s work is in the permanent collections of Museum of Modern Art, Brooklyn Museum of Art, Solomon R. Guggenheim Museum, and Whitney Museum of American Art, as well as the Seattle Art Museum, and the Smithsonian American Art Museum in Washington, D.C., among...
Read More

Coming of Age in the Time of the Hoodie

By Sarah Ladipo Manyika This excerpted essay was originally featured on AGNI Online. My son’s self-portrait, age fifteen. Work in progress. Earlier this year I decided to read Joe Brainard’s cult classic, I Remember. The book had long intrigued me for I had heard that it was widely taught in creative writing courses and was a favorite of many authors, including several well-known authors whose work I admire. I was immediately drawn to Brainard’s style, each line starting with the words “I remember.” As I read it, I found myself jotting down remembrances of my own, complementing Brainard’s memories of America with my memories of Nigeria. I was enjoying this little book, reading it slowly, taking my time to appreciate the beauty and originality of the writing while remembering and reminiscing. It was a soothing and creative project until I came to this: I remember feeling sorry for black people, not because I thought they were persecuted, but because I thought they were ugly. I remember gasping. I remember thinking, So this is what Zora Neale Hurston meant when she wrote, “I feel most colored when I am thrown against a sharp white background.” I remember ugly. I remember not wanting...
Read More

APOGEE ISSUE 05 PREVIEW: Jason Larkin

  Today we’re featuring Jason Larkin’s work.     Untitled, Cairo, 2010 Giclee Print 85x85cm   JASON LARKIN is a British photographer recognized for his desire to forefront the subjects on the periphery of current affairs. Soon after finishing his studies Larkin worked as a documentary photographer across the Middle East and Africa, with his work published worldwide. His latest body of work Tales From The City Of Gold (Kehrer, 2013) has just been published both as a monograph in Europe and as a bilingual newspaper publication for Africa. Larkin is the recipient of numerous awards including, most recently the PDN Arnold Newman New Portraiture Award and a Renaissance Photography Prize. His freely-distributed publication, Cairo Divided was nominated for both the Deutsche Börse and Prix Pictet photography awards. Recent solo exhibitions include Flowers Gallery, London and Farnsworth Art Museum, USA and exhibited at the Brighton Photo Biennial and Hereford Photography Festival. In 2013 he moved from Johannesburg and is now based in London.