Perigee

FICTION: Skinny Tea, Chekwube O. Danladi

  Skinny Tea Chekwube O. Danladi   The summer before we started 9th grade, a month after we were both finally fifteen, Georgie and I decided that we would stop eating. We made resolutions. Georgie wanted to stop eating so that people would no longer make fun of the thick rolls that coated her belly, chin, arms, and thighs. I wanted to lose weight so that I could fit into a too-small yellow thrifted bathing suit that mama bought me, because she couldn’t return it. The day we decided, we were on the swings at Towanda Park, behind the Metro station. Georgie and I were competing with each other to see who could swing higher. Her thick legs were tucked behind her, woodchips gathering in the ridged toes of her beaten Adidas every time she came down into her inverted arch. Competition was always the game with Georgie: who could swing the highest, who could use the biggest words, who could read the most books in one week. Our competition was always about self-improvement and self-preservation. We were each other’s only best friends. We hid together in the school library during lunch breaks because we were too shy to eat...
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Poems by Mya Green

by Mya Green Changeling Time’s mouth is wide as infinities, womb flexed, daughterson pulled from darkest ink ankles, wrists, roped, wildest wolf couldn’t cut free—echo the underbelly you palpated, broodmother coccyx, in release. Urchin heart, a tin-cage hum-hum in false -etto. This rage bereft of face, demands a name. Fault of my original fault. Mistress of long memory, sweet suet taken as tallow. Kingmaker or con, same mathematics, new chasma, remember: Carry the one, conquer, divide by none. Damage Path Tornado, I see your witness and your face: strip malls off McFarland filled with themselves, straw driven up-tree down the dirtroads, quick to enter our corner lot, the yellow shackhouse, birthright broke open, our larvae exposed. Mosquitoes here bite low like fleas, I think, Father, we are nesting dolls. I am latent daughter gestating inside you––our vices complementary––we are black links ‘round Daisy’s pluming ankles, anchors ’round this stilted house and I’ve heard I can grow without roots (like moss): Tornado, I am your witness and your face.

Featured Artist: Grant Worth

Grant Worth “Hele, Wikiwiki”, 2013. Polaroid Type 600 Print, 4.5″ x 3.5″   “Laelaps and the Fox”, 2009. Polaroid Type 600 Print, 4.5″ x 3.5″   “Leo and Four Angels”, 2010. Digitally Obscured Polaroid Type 600 Print , 4.5″ x 3.5″ “Cesium of the Sea”, 2013. Polaroid Type 600 Print, 4.5″ x 3.5″

Poems by Khadijah Queen

by Khadijah Queen ___________________ the usual old shoe still lifes in October, birds again I’m en plein air Victorian patio-style when on the roof’s right corner, a thuggish blue jay lands heavily on tarred shingles & departs after a feral glance my way. Lighter, sparrows inch closer in, moss-mouthed, plumping eaves for nesting. Flashes of jet on the jay’s face, its tail, white on azure, such a serious flight, in my sunstroked eyes make a faded photograph I double-expose, which reminds me I left a hair tie in your bucket seat. But I’m alone at this cabin. The floor’s wood grain so old it snags my good socks. What would I do barefoot? Tire my legs out & splinter, trying to run from soft creatures.   Miniature Odes [Black Tears]: One fell from a chandelier, lacquered, catching sun. Inelegant, cartoonish eyes in onyx relief, diminished relative to cavernous space [Lambrechts]: You only get one window in this scratch-off game—patchwork graphic wood. What seems like seeping approximates in revelation, an allowance of the eye—feathering practice, no dancing [O collagist]: O montage maker of scenes ancient & modern & profane, O superimposer of meaninglessness upon the suffering voiceless in the gloss of...
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Poems by Roberto Montes

by Roberto Montes (no subject) –     Learn the skills     for your DREAM job    sleeping is free in some habitats  Keep a dream journal   leave it behind   My sister taught me this   inexpensive trick they don’t want you to know     It’s all your fault     and cicadas are not a natural phenomenon   if you love them enough They’ll collect    your outstretched arm   is a branch to them   Do you care   your potential is right here   I agree WHOLEHEATEDLY  you can discover a better orgasm   means the same    Around 3,153/week   Sloping downward    when leaving any speeding thing they tell you       bring your knees in   Hold on to your knees        they say    can do you that for me   will you do that for me         of course   in the air it’s all the same        You slide comfortably in  There you are (no subject) – Take my advice I can make you a good time bachelor My sister had a problem I couldn’t stop her from solving My curl fell like a child My feet reduced or grew in size depending Where they were Who they supported One promising method was...
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BOOK REVIEW: That Thing You Do With Your Mouth, by Elisabeth Sherman

  That Thing You Do With Your Mouth, by David Shields and Samantha Matthews Reviewed by Elisabeth Sherman   As a young child, actress Samantha Matthews was the victim of sexual abuse. Her story is a familiar one. Abuse and assault are common themes in the lives of too many women—according to a National Intimate Partner and Sexual Violence Survey, 1.9 million were raped in 2011. But how many are given the opportunity to publicly reshape that traumatizing narrative on their own terms, in their words? As an adult, Matthews dubbed Italian porn films into English. Her cousin, the author David Shields, thought her work was ripe for a documentary. Though Matthews gathered footage, the film never came together, so Shields suggested they work on building a written narrative. Over many months of emails, Skype sessions, and texting, Shields compiled enough material for That Thing You Do With Your Mouth, the story of Matthews’s sexual history in her own words and voice, edited by her cousin. Taking the form of an extended monologue, That Thing You Do With Your Mouth is a path toward healing: “Having the stories and the self-analysis on the page rather than just having it swirling around...
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NONFICTION: You Write What You Read by Victoria Cho

Apogee Fiction Reader Victoria Cho has written a stunning piece, published this week on Luna Luna. Read an excerpt below. You can find the whole essay here. I didn’t consciously make my protagonists white when I began to write fiction. There were times I swore I didn’t think about my characters’ races. But really, they were white. Even when I claimed they were utter inventions of my imagination, removed from a context of race, I re-read my stories now and see how they really weren’t anything else. They were all cut from the same cloth. I wrote about a white man losing his daughter and a white boy wanting to be a cowboy. I had a white man tell his sister he was joining the army, a white man walk over the Brooklyn Bridge, and a white man recover from a nervous breakdown in an insane asylum. And then, I wrote white women. A white teen fought with her best friend, and a white woman ran away from home. A white girl befriended a white homeless woman. I am female and Asian-American. My parents emigrated from Korea in the Seventies. (I don’t ask them for the exact year because I...
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