POETRY: Black Girls, Simone Savannah

  Black Girls Simone Savannah   Black girls try to memorize theories to save themselves, try to revive their pretty browns tight and significant. My white girlfriend, skinny thing, not much ass to carry, quotes Janelle Monáe on her Facebook page, and I think it is easy for white girls to say the body isn’t for male consumption when they’ve never been eaten up, or no, to say the body isn’t for male consumption when their pretty white isn’t said to eat men automatically. I want to ask my white girlfriend if she knows Janelle’s song might just be for us to echo, her dance for the pretty brown areolas already in the pits of eyes and bellies, for the pretty brown Jezebels reading theory, twirling dicks between their teeth while lying on their backs.   SIMONE SAVANNAH is from Columbus, Ohio. She is currently a PhD student in Creative Writing at the University of Kansas developing her interests in sexuality, Modern and Contemporary women’s poetry, and African American literature. She served as the Assistant Poetry Editor of Beecher’s 3. Her work is forthcoming and has appeared in Big Lucks and Blackberry: A Magazine. 

POETRY: SKKRMBLE 4 AFRICA, by Casey Rocheteau

  SKKRMBLE 4 AFRICA Casey Rocheteau   Teacher said the Europeons got together and carved up the continent like a Thanksgiving turkey in Berlin and I say that’s really messed up and aint nobody move or breathe too loud. Just got quiet as a panther stalking its own ghost. Made me feel like wind kicking up some old dust on a planet that used to have water.     CASEY ROCHETEAU was the recipient of the inaugural Write A House permanent residency in Detroit in September, 2014. She has attended Callaloo Writer’s Workshop, Cave Canem, and Bread Loaf Writers’ Conference in Sicily.  Her first collection of poetry, Knocked Up On Yes, was released on Sargent Press in 2012.  Her second collection of poetry will be published on Sibling Rivalry Press in early 2016. 

NONFICTION: Reading Jamaica in New York, by Victoria Brown

  Reading Jamaica in New York Victoria Brown   I worked as a nanny when I first came to America. One rare quiet afternoon I found a slim book on my employer’s shelf by Jamaica Kincaid, an author I hadn’t heard of. We look to find ourselves in fiction, but rarely does a teenage Caribbean nanny in New York find herself sprawled on her boss’ couch immersed in a novel written by a former Caribbean nanny. To say Lucy spoke to me is to under-report the crystallization of intent, the force of the impact that afternoon had on my creative life to come. Here was my story, unsparingly told: my relationship with my mother, my immigrant journey, my homesickness. I finished Lucy in one sitting, and I immediately wanted more. Because before Kincaid, to find the Caribbean in literature I had V. S. Naipaul. In some of his early stories, I caught snatches of myself—a foot or a plait perhaps—but never me, fully formed, in the middle of the action. Any pathos for Naipaul’s characters takes backseat to the bathetic; his Caribbean writing has always been part ridicule and part anthropology, local people put to usury for a foreign gaze....
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