NONFICTION: Cradling the Cat, Bernard Grant

  Cradling the Cat Bernard Grant   In pictures, Marissa is a mass of black fur, no face. Only her eyes appear, big and yellow, though at night her pupils expand and her eyes resemble big black buttons. According to the paper that was taped to her cage, she’s a medium-haired domestic. I’m no expert, but I see her as long-haired, especially when she stands beside the short-haired tabby that lives here, my roommate’s cat, an attention-seeker. Marissa is shy, though not quiet. She squeaks and coos like a baby. She’s a year and a month old, a teenager in cat years. True to teenage nature she finds ways to complicate her caretaker’s life. She sits on my books while I’m reading them, wakes me at odd hours, pawing and meowing, and decides my bed is best to explore while I’ll making it in the mornings. She climbs into crevices—to what end, I’m unsure—and onto bookshelves, knocking pens, paperclips, and other small items to the floor, frightening herself. Sudden sounds and movements send her dashing into the closet. She’s new to this house. I am, too. When my sudden illness—an atrophied cerebellum, ataxia—illuminated the difficulties I was having with my...
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Interview with Apogee Journal’s New Staff: Safia Jama

  We are so thrilled to welcome Safia Jama to Apogee Journal’s editorial team as our newest Nonfiction Editor! See what she has to say about finding community, seeing herself in the work of writers and artists of color, and what it means to love “work that doesn’t care to be likeable.”   Apogee Journal [AJ]: Welcome to Apogee. Tell us a little about how you came to Apogee Journal. What brought you here? Safia Jama [SJ]: I bought my first copy of Apogee Journal at the Housing Works Bookstore two years ago. I saw a painting of a black woman on the cover, her hands clasped over a white dress. (I later realized this ‘painting’ was in fact a beautiful photograph by Rachel Eliza Griffiths.) Riding the subway home, I began to read this journal that seemed unlike any other. I remember how my own brown hands mirrored the hands on the journal’s cover. I read an interview with Rich Benjamin. In it, he talks about his study of “whiteopias,” the virtually all-white communities situated near idyllic nature settings. I remember thinking about mountains and rivers and white people hiking with their families as I rode the F train back to my ethnically diverse neighborhood in...
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Interview with Apogee Journal's New Staff: Esmé-Michelle Watkins

  Apogee Journal is excited to welcome Esmé-Michelle Watkins as our newest Fiction Editor on our editorial team. See what she has to say about being a writer and lawyer, literary justice, and the book that was so spectacular, she threw it against the wall.   Apogee Journal [AJ]: Welcome to Apogee Journal! As a fiction writer and attorney, you are part of a long legacy of lawyer-poets from Wallace Stevens to Monica Youn. How do you see these two aspects of your working life coming together? Does one influence the other? If so, how? Esmé-Michelle Watkins [EW]: I became an attorney because I am immensely concerned with effecting justice in the world. I suppose I am a writer for the same reason. The most elemental function of language is to control an experience or history by describing it. If our cultural histories are not embraced by language in this way, they are subject to erasure. Growing up, I didn’t come across too many fictional characters who looked or sounded like me or folks in my family. It was clear from an early age that we were part of a periphery that wasn’t always celebrated in the canon. I think we’ve...
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