Issue 04 Acknowledgements

Acknowledgements We would like to thank everyone who donated privately through Fractured Atlas and at our 2014 benefit with the Museum of Contemporary African Diasporan Arts for helping us fund our work on Issue Four. In particular we’d like to thank: Robert Watson, Laura Jean Moore, Morgan and Karole Larsson, and Grant Bergland for their generous contributions. We’d also like to thank Stacy Parker Le Melle for her continued support, all the readers of our blog and issues, and attendees of Apogee events. Apogee Journal is a sponsored project of Fractured Atlas, a non‐profit arts service organization. Contributions for the charitable purposes of Apogee Journal must be made payable to “Fractured Atlas” only and are tax‐deductible to the extent permitted by law.   Cover Image: “Got The Power: Brooklyn”, 2014 by Bayeté Ross Smith. sculpture installed at BRIC Arts Gallery, Brooklyn, NY, 2’ x 8’ x 11’

Dispatch by Tsitsi Jaji

By Tsitsi Jaji When last in dooryards jacarandas bloomed. Hanzi? The heart is in thanks to the cat. Kutenda kwakitsi kuri mumwoyo. Shredded? Only in the privacy of its own box. “Above all, strive for a room of your own,” said Mr. Jabavu. Or a library reading room. Gloved hands are rare, as are needles. However when funds are released the RNs will be paid. Vakafa? Rini? Those one hundred lonely years. Those days of loverly, loverly. I facebook you. You handcushion me. I kneejab you. You bottompoke me. In the time of loverly loverly all I wished for were gloves. Where is the dentist? Vakafa. Where is uncle engineer? Vakafa. Where is blind auntie? Vakafa. Wet noodles sound love(r)ly. These days tinodya macaroni without complaint. I sent you a Freezit on Facebook. Do you miss me? I sent you the cherry plum Sparletta. These one hundred lost years. We miss. There’s no pack of broken Lobels Biscuits on Facebook yet. Do you miss me? Next Christmas, for sure, I will come. Honestly, we are just coping up. It is better if you send cash. Dispatch: Scarce work needles.