Don’t Forget Us: An Interview with Maia Cruz Palileo

  JoYin Shih interviews Maia Cruz Palileo The Cuchifritos Gallery is a pocket gallery tucked into the entrance of the Essex Market, at the gritty corner of intersecting neighborhoods—Chinatown and the Lower East Side. Artist Maia Cruz Palileo’s show, “Lost Looking,” was on exhibit this past winter. Upon entering, my gaze scanned the brightly lit studio before settling in for closer examination. Eyeing familiar images (a box television, a sleeping cat) and vibrant colors that conjure nostalgia, there was an instant presence of the real and unreal, a sense of magic realism, emanating from the images. As the title of the show aptly implied, the dozen paintings, selected by curator Jordan Buschur, reflected the integrations of Palileo’s Philippine ancestral homeland and her own Midwest American roots, recovered family lore; and objects and the emotional power they contain. Palileo walked me through the paintings, sharing the history that fueled each piece. Maia Cruz Palileo [MCP]: I was really excited to have a show at Cuchifritos Gallery. Part of their mission is: “to show exhibitions featuring the work of emerging and underrepresented contemporary artists with particular interest in exhibits that convey relevance to the local community.” I like the inclusiveness of this...
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Reading in Private: An Interview with Rivka Galchen

  Rivka Galchen is the author of American Innovations, a collection of short stories speaking in conversation with “classic” short stories from a female perspective, and Amostpheric Disturbances, a novel. Staff writer Joseph Ponce corresponded with Rivka via email about the dangers of “familiar” language, intentionally de-railing plots, and misconstrued emotion and characters. She will be reading as part of the First Person Plural Reading Series, along with Mya Green, Patrick Rosal, and a screening of the Field Niggas and Antonyms of Beauty, a film by Khalik Allah, on Tuesday, March 31 at 7:00pm, at the Shrine World Music Venue in Harlem, NY. Joe Ponce [JP]: American Innovations at times seems to be a commentary on the restrictive and even oppressive nature of language. Do you feel like the language you use in American Innovations is, in a way, a rebellion against old fashioned or constrictive language (the lazy language of idiom)? Rivka Galchen [RG]: I do think my characters, on the spectrum, find phrases particularly magnetic, even talismanic. They’ll try on a phrase as a way to feel, they feel obliged to try and feel the way that language suggests they ought to. It doesn’t quite work, of course....
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Who Deserves to Die?: On Rationalizing Murder

  Who Deserves to Die?: On Rationalizing Murder Elizabeth Wright   I hear sirens and helicopters outside. Crowds of protesters march down Grand Avenue and I-580. They’re yelling, throwing bottles, and fighting. I am doing laundry. I’m not out in the streets tonight, but I feel no loyalty to this country. Never have. It’s a common symptom of being African American. I feel nothing but a certain sense of partial belonging, comfort, and familiarity, but no allegiance. *** On November 24th, St. Louis County Prosecuting Attorney Robert McCulloch, announced the following: From the onset, we have maintained and the grand jury agreed that Officer Wilson’s actions on August 9 were in accordance with the laws and regulations that govern the procedures of an officer. Law enforcement personnel must frequently make split-second and difficult decisions. Officer Wilson followed his training and followed the law. (Reilly) *** Michael Brown’s mother, Lesley McSpadden said, “You’re not God. You don’t decide when you’re going to take somebody from here.” But someone, certainly, is playing God. *** “Come on guys.” That’s what Officer Wilson claims to have said when he politely asked Michael Brown and Dorian Johnson to get out of the middle of the...
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