Of course, there is a pipeline: metal or plastic, it moves underground like a foreshock tremor; protrudes–or perturbs–above ground like a topographical agitation. It has shape, diameter, and geography. It spans continents: from Dakota to Damascus, from Bakken to Baghdad. It does not only cut through the land, separating nature from nature, but also cuts through the heart of a proud, yet benighted people. So a pipeline is not just itself; it’s an exterior, a mere shell for something else, a conduit. In the end of it (from both ends) it is hollow and meaningless but for what flows through it—liquid, viscous, venomous.
So this is not a pipeline—this is oil: not black or crude, but translucent and mercurial (as markets would have it), extracted from white plains, black continents, and brown mountains; from rocks that stood for eons when oil was walking; was living flesh and bone. Oil that is now sucked from the belly of the earth, anointing oil barons, oil sheiks, oil heaters, oil trains. Oil that makes more oil for those who have oil, lubricating hands; alchemized black gold that shines like silver and crumples like paper.
So again, this is not a pipeline—this is money: money in its crudest currency, not flowing, but running through fiber optic bank wires by the barrel, transported from oil fields through underground vaults, protected by the cylindrical barricade that separates human from human; a social subterranean divide.
So this is not a pipeline—this is a wall: not fixed, opaque fortification like Berlin or China, but a fence, at once defensive, offensive; at once emancipating and encircling, enriching and enslaving. A globalized coral that can be seen through but not exited. A fence like a veil, obfuscating, covering up, putting down, abusing, degrading, excluding. The victims wear the veil, wear the fence over their eyes, around their bodies; the fence makes its mark on the ground the way a predator marks its prey—with claws of barbed wire, with a vise grip, with the puncture of the paling, with the sting of the prod.
Once again, this is not a pipeline—this is a weapon: like the stone and the sword, the bullet and the drone. But unlike conventional weapons, it doesn’t fly through the air, it doesn’t adhere to Newton’s Law—it’s motion in its steely stillness, in its oppressive monumentality; a futuristic artifact if there was ever one. It is advanced as a heat-guided missile; terrorising like the primitive barrel bomb. Its chemistry attacks the nervous system, affecting movement, reflex—destroying speech abilities. This is not a pipeline—this is it.
It, like malignant matter that flows like dirty blood varicose veins—veins that will erode and burst and blanket the land with a slick new dark coat. A black layer that will turn night upwards, a dark pool that will glisten in the sun, burning black and brown and red and black—flames, shining higher than the highest tower. It is oil that will rise like a tsunami and devour those, us, who are drowning those helpless who stand on the land, burying us until we too join our helpless ancestors—and also become oil.
This is not a pipeline, but in the end it’s also just that, a physical, hulking, hectoring, hollow cylinder—an eye sore, a gash in the earth, a daily reminder for those who live above it, under it, near it, that while the oil flows freely they are bound to the land, a land they love, but that’s being ravaged. But it is also a reminder for those of us who live far away, in the land at the end of the pipeline, for those who enjoy its sweet nectar, that that place in between exists, that the no man’s land is filled with proud women and men; that nature has nothing wild in it—it is us who are wild, we are untamed. So it is our task to stand up, to fuel our cars with the crudest or the crude oil, and to to drive to that place in between—and then, only then, that pipeline will be no more.