Perigee

Forlorn & Forming Self: Off the Cuff with Jahmal B. Golden

  Mother of Yves, Jahmal B. Golden is iconic in our community of creators in New York City. They are brilliant, creative and out-here, dedicated to bringing femme community together. Among many commitments, Jahmal curates Fox Wedding, a reading and performance series in Brooklyn and has work forthcoming in The New Museum in collaboration with RAGGA NYC. I was thrilled when they offered to share with Apogee­ Journal their collection in advance of its publication. Yves, Ide, Solstice (Easy Village Publishing) chronicles losing at love in triptych-form. It explores the ways in which love (or losing at it) complicates perceptions of self and identity-formation. Yves, Ide, Solstice launches this April and is available for sale online.

Under a Scrupulous Light: An Interview with Sueyeun Juliette Lee

Sueyeun Juliette Lee has produced some of my favorite poetry. Hers is a craft that inspires me to endeavor deeper. She’s a phenomenal poet, whose work I deeply admire and respect, so when she offered to share an excerpt from “Relinquish the Sky” with Apogee Journal for Issue 8, I was ecstatic. Of Lee’s work, Bhanu Kapil says, “ A ‘great disturbance.’ A ‘magnetic delivery.’ Hold your breath in the bathtub: to ‘alter weather patterns.’ To belie: a ‘longing,’ the ‘discrepancy,’ how the light itself accrues a ‘stop-motion’ brilliance in the moment…” Lee’s “Relinquish the Sky” leads with the piece, “Daylight, No Grief”, which begins as a mote of a light permeates across distance from its absolute origin, catalyzing her inquiry. In her piece, Lee approximates origins against lack and the monstering potential of a cultural orphan grief.

Poetry by Kenji C. Liu

Frankenstein + Poem = Frankenpo An invented method through which one or more carefully chosen text bodies are collected, disaggregated, randomized, merged, rearranged, erased, sewn back together, and reanimated with a high voltage jolt.

AWP 2017

As editors and writers who work to center marginalized voices, we at Apogee continually re-examine the role of institutions in facilitating dialogue and ensuring representation. The yearly AWP conference is one such institution, which fosters a dynamic and rich literary community, while at times drawing criticism for alienating marginalized writers.

An Interview with Yin Q

“Home of Desperate Magic,” the first chapter of Yin Q.’s memoir, appears on the pages of Apogee Journal Issue 08. In it, Q. begins her journey into the wounds of childhood and inherited trauma; wounds she will later seek to heal and reclaim through the ritual work of BDSM. Here she speaks with Apogee editor, Cecca Ochoa, about the radical potential of consensual pain, empowering submission, and compassionate dominance. Cecca Ochoa: “Home of Desperate Magic” is an excerpt from your memoir-in-progress, Mercy. What is your memoir about? Yin Q: Pain, magic, and reclamation. “Home of Desperate Magic” introduces the idea of using pain as a way to “break the spell.” In this case a family dealing with abuse and loss. CO: So, how exactly does physical pain heal emotional and/ or psychological pain? YQ: Just as our bodies gain muscle memory through movement–-acquiring skills and agility––our bodies also harbor emotional memory. Acupuncture and massage therapy are respected practices of tapping into the body, sometimes to fix physical ailments, but also to release energy or Chi blockage. Rituals that incorporate physical tension or pressure can tap into the psychophysical story that the body has formed. That story can be retold, reshaped, and...
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