When I received an early copy of Marriage of a Thousand Lies (June 2017, Soho Press), I was immediately intrigued by the novel’s premise—Lucky is a queer Sri Lankan woman with a gay husband. In her marriage of convenience, her family doesn’t have to know about her sexual identity and she can date who she wants without judgment from her Tamil community. But what happens when Lucky must return home, and when she discovers her first lover, Nisha, is getting an arranged marriage? SJ Sindu’s debut novel, recently published by Soho Press, explores South Asian queer identity in America, the struggle between community acceptance and authenticity to self, and the boundaries of familial love. In our interview, I spoke to SJ Sindu about why she wrote this story, modern arranged marriages, the Sri Lankan War, and her writing journey.
Jamal Michel’s two pieces are part of a larger collection he’s been working on. The title of the collection is “Black Jungle Rose,” and each piece is dedicated to a victim of police brutality or similar racially motivated crime.
Wawa (also published as Lo Mei Wa) is a Hong Kong poet now based in the U.S. Her poem, “維多利亞港天台建國/Rooftop Nation of Victoria Harbour,” which appears in Apogee Journal’s Issue 09, comes at a profound time of global protest and resistance. In this interview, she shares her thoughts on the imagined reality of the poem, Hong Kong’s Umbrella Movement, and the usefulness of language and feeling.
Our second preview of Apogee Journal Issue 09’s visual art includes work by Jordan Casteel, Ernest Russell, Larry Achiampong, Vieno James, and Leopanar Witlarge. As Legacy Russell, our Visual Art Editor, writes in Issue 09’s Letter to the Editor, “we are in a state of reiterative emergency.”