“We Never Really Touch Anyone Because of Molecules”: Distance and Disconnect in Annie Christain’s The Vanguards of Holography (2021, Headmistress Press)

A hologram is an illusion. You think you’re looking at something three-dimensional and lifelike, but what you see is only an image, a reconstruction of reality rather than reality itself. What could be a more fitting image to encapsulate the illusoriness, isolation and distance that pervade collective life in this post-truth, post-Covid era—one in which facts are subsumed by beliefs and a screen avatar can stand in for a physical body? In her most recent collection of poems, The Vanguards of Holography, Annie Christain creates a pervasive sense of disconnection and disembodiment. 

In Lamplight You Are Made Whole

She would make a portrait of her mother shrouded in darkness, holding a clay oil lamp. When Chaya closed her eyes she could see the full image, the jellyfish-like light patterning the space around her mother’s head, her free arm reaching out, as if to Chaya beyond the frame. In her vision, her mother’s hand covered Chaya’s face, blocking any sound from coming out.