Sam, by Alexandra Watson

  Sam by Alexandra Watson   He grows exhausted of her: the way she squeezes toothpaste from the top instead of rolling up the bottom, how she references literature in their fights to remind him of her education, the slight click in her jaw when she chews, the rusty taste of her mouth. Before they were minor things, now they are all she is. They’d met in the teacher break room at the high school where he’d subbed for years; she’d taken a spot in the English department a little under a year ago. He didn’t get called in today, so he sits watching the Twilight Zone marathon and drinking ice cold beer, occasionally lighting the same joint he rolled right after she left that morning. She gets home early that afternoon and finds him in the kitchen, sliding the last empty beer bottle into the twelve-pack box. She looks weary in a way he recognizes; a tiredness from too much noise and too much fighting, not enough windows and not enough textbooks. When she sees him, she grabs the back of his neck to pull him towards her mouth. He recoils, as if the kiss has sent a static...
Read More

Stagnant Blackness and the Modern Race Drama

  Literary Editor Chris Prioleau has an essay up on The Awl this week: It feels as if, where the modern race drama is concerned, we’re not as firmly central in our own stories as one might think. These stories are still coming from the same set of antiquated notions that wrote Hattie McDaniel’s speech for her, notions that dictate that a dramatic non-white narrative is only successful in so far as it speaks to the good-intentioned but ultimately reductive theme of racial progress, which in this case is a euphemism for proving one’s worth to the white population. Read the rest here.

Undocupoets Petition Against Contest Discrimination

We are proud to publish a petition from Undocupoets, the group fighting to end citizenship-based discrimination in poetry publishing and contests.  Too often, the submission guidelines read “Proof of US Citizenship” or “Legal Residents Only.” This small, but powerful, statement serves to exclude 11.7 million undocumented people (according to the Pew Research Center Hispanic Trends Project in 2013) from participating in a multitude of poetry opportunities—from first book contests to applying for major grants. Most documented poets and organizers justify this discrimination by saying something along the lines of “large poetry organizations cannot include undocumented people because they (the large poetry organizations) receive government funding and must follow government regulations.” But this should be no excuse for exclusion. We must strive, as a poetry community, to allow ALL of our comrades the same opportunities that documented poets are afforded. No poet should have their opportunities limited because of their immigration status! What we are asking for is simple—give us the best poems (regardless of the author’s citizenship)! It should be the duty of poetry organizations to find ways to support poets, not to mimic the nation state. The immediate action which we would like to see take place, is this:...
Read More