Issue 07 Spotlight: Fatimah Asghar

Executive Editor Alexandra Watson asked poet Fatimah Asghar about community, the role of writers in responding to violence, and reading recommendations. Fatimah’s poetry will appear in Apogee Issue 07.

faApogee Journal [AJ]: We often think of writing as a solitary, individualistic process. Yet we find many writers and editors dedicated to creating community. Dark Noise Collective and Kundiman are two such communities that you’re a part of. What does community mean to you as a writer?

Fatimah Asghar [FA]: Community has always been a huge reason why I write. I started writing when I wrote Harry Potter fan fiction online– but that was all shared and built upon in community, by people who I didn’t know but would write with to create full stories. When I started writing poetry it was because I joined a spoken word club at my college– the reason I wrote and returned every week was to be in community with others. I do a lot of different art forms and think of myself as an artist who works in the medium of community. That’s what lays at the heart of my artistic projects and practice, is building moments of connection, small enclaves of brave space where we can see each other as whole, human, real.

AJ: The events of the past month have put violence front and center in our consciousness–from the fatal police shootings here in the U.S. to the recent attacks in Dhaka, Baghdad, and Istanbul. What do you see as the role of writers in engaging with or responding to violence?

FA: I believe all art is political. I believe it is the artists’ duty to combat injustice wherever we see it. I believe a lot of the violence that we see in the world is tied and related, and that we must build solidarity to effectively combat these violences together. My collective, Dark Noise, we are always talking to each other. It’s been an overwhelming few weeks and we’ve been trying to figure out what we can do as artists, as writers, and we have been working to put out some of our thoughts into the world. We issued a Call For Necessary Craft And Practice as well as a document about How Writers Can Join The Fight Against Police Violence.

AJ: What books, poems, essays, or stories do you go back to again and again without getting tired of them?

FA: Theresa Hak Kyung Cha’s Dictee, Nate Marshall’s Wild Hundreds, Ilya Kaminsky’s Dancing In Odessa, Kamau Brathwaite’s Trench Town Rock, Junot Diaz’s This Is How You Lose Her, Natalie Diaz’s When My Brother Was An Aztec, Tarfia Faizullah’s Seam, Toni Morrison’s Song Of Solomon, Danez Smith’s Summer Somewhere, Jamila Wood’s Heavn, Ross Gay’s Catalogue of Unabashed Gratitude, anything by Gwendolyn Brooks, Lucille Clifton, Tim Seibles, Sandra Cisneros, Gabriel Garcia Marquez, Patricia Smith, and Douglas Kearney.

AJ: What two or three authors would you add to a list of required reading?

FA: Only two or three? Okay, I’m going to choose authors that I haven’t already named: Angel Nafis, Terrance Hayes, and Hanif Abduraqib.

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